Posts Tagged ‘art labor’

events | ying yefu @ art labor ::

Friday, June 12th, 2009

:: there is a great exhibition opening in Shanghai at Art Labor this weekend, running through July 10. Link here for more details. See below for some sample pieces from the artist, 26 year old Xian-based Ying Yefu (also know as Kodyo and Ren Qianyi).  // AjS

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events | alexandra diez de rivera ::

Thursday, April 16th, 2009

:: Alexandra Diez De Rivera will be at ART LABOR for a solo exposition of new photographs titled CAMALEON: a series of provocative, engaging images featuring some of Shanghai’s most notoriously visible scenesters disguised in a lot of paint. The show runs from April 18 to May 9. There will be an opening party this Saturday at ART LABOR from 5 – 10 P.M. (36 Yongjia Rd., close to Shanxi Nan Rd. map here). Check out the making of CAMALEON .  // AjS

CAMALEON_FLYER

snaps | chen hangfeng ::

Sunday, December 14th, 2008

:: taken in Shanghai at ART LABOR gallery (Yongjia Lu, close to Shanxi Nan Lu); now showing Chen Hangfeng’s work.

Chen Hangfeng

Chen Hangfeng

Chen Hangfeng

Chen Hangfeng

// AjS

events | daily prosperity ::

Wednesday, November 19th, 2008

Chen Hang Feng (Art Labor)

ART LABOR Gallery invites you to a new installation of chandelier, paravent (wood screen), carpet and wallpaper by artist Chen Hangfeng, along with other works on paper.

Chen Hangfeng arranges the logos of the world’s brands into traditional Chinese patterns with a modern twist. As an ancient woodcarver might have used the bird he observed in his daily life, Chen Hangfeng takes the symbols in our daily view and incorporates them into his art, creating works from normally mundane corporate logos of our times. Notable art critic Karen Smith has recently commissioned works by him.

Working along these lines of appropriation and reapplication, Chen Hangfeng has over some months collected various objects out of garbage collection and redistribution centers around Shanghai.  Out of these he has built a “Chandelier” from discards, discovering much about the system of garbage reclamation and trade in a city which “produces” 20,000 tons of refuse a day. Juxtaposing his art craft with the disposable nature of most mass production or even luxury goods – in a country renowned for being the world’s factory – is not meant as ironic commentary, but intends to illustrate the complex layers behind the processes in our daily lives and the layers of application of value to an object at various phases of use.